The buy site doesn’t explicitly mention Linux. Download Windows 12 Lite for LinuxĪlthough advertised by its creators as an alternative to Windows 10, the framework is completely independent of Microsoft. Download Windows 12 Lite ISO for Linux Cycle 64. What they say is fine, but you pay for what they call windows and use authorities as examples. There’s a debate online about how safe it is from infection (Windows infections obviously don’t affect it), and how many games and projects can be introduced using Wine, Play on Linux, and Steam.
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For more information, please see Zoom's explanation of system requirements. Depending on your computer, you may need to have an actual greenscreen to get results, or you may be able to use only images but not videos, or only the "blurred background" option but no custom backgrounds. The "virtual backgrounds" feature requires certain system resources to work properly, and not every computer will be up to the task. VCU's campuses in beautiful downtown Richmond, VA. Download your favorite image, join a virtual meeting and set the photo as your background to. To get you started, here are a few university-approved images showcasing some scenery from Add intrigue to your video calls with a bold backdrop. These should also be at least 1280x720 in size and saved as MP4 files. After logging into Zoom, click the settings gear icon in the upper. It's even possible to use a video clip as your background. How to Set Downloaded Image as Backdrop in Zoom Click on next to Stop Video on the bottom left of your Zoom window and select Choose Virtual Background. How to add a Zoom background Right-click the image to save it to your desired location. You can probably make any image work, but for best results, Zoom recommends an image with an aspect ratio of 16:9 and a minimum resolution of 1280 by 720 pixels. Want to spruce up your background during remote meetings OU Marketing and Communications has provided the following images for use as virtual backgrounds. You'll be presented with a few pre-loaded graphics, but if you use the " +" button, you can choose any image saved to your computer to serve as a backdrop. To use them, click on the "up" carat next to the camera icon and choose "Virtual Backgrounds." If you have a Zoom account, you have access to virtual backgrounds. The virtual background feature on Zoom allows you to display a static image as your background during your class or meeting. Select the ‘more’ menu on the bottom left side of the screen and choose ‘Virtual Background.’ Use the ‘+’ to add a custom Northeastern image from your device.Since most of us don't have a fancy recording studio to host meetings from or maybe even the time to clean up the room we're in before joining a call, virtual backgrounds are a great way to add a neat, attractive look to your image. On mobile: Open the application and start your meeting. Note: You may be prompted to download the ‘smart virtual background package,’ if needed, before adding your own background. Once here, simply click on the ‘+’ to the right of ‘Choose Virtual Background’ and add a custom Northeastern image from your computer. Follow the ‘Virtual Background’ option on the left side of the screen. Select ‘Preferences’ to open the Zoom settings window. On desktop: Open the application and click on ‘’ beside the Apple icon in your menu bar. How to Add a Background to Zoomĭownload the Zoom application to your desktop computer or mobile device. Have a favorite spot on campus you want us to include? Use #NUexperience on social media to let us know. Simply download the backgrounds you like, then add them to your Zoom account. Follow the instructions below to add a view from Northeastern’s global network as you teach and learn from home.Ĭhoose from multiple scenes. Bring campus to your computer with custom Zoom backgrounds for your online get-togethers. If the font has a width axis, then you can widen or narrow the letters without seeing the distortions in shape and stroke width that appear when you simply stretch or squeeze the type. The point is that the typeface designer creates those master designs at the ends of the axis, and determines just how the letter shapes will change as the slider is dragged. The technology behind this is more complicated (and the possibilities are really quite sophisticated), but it’s easy to see how it works in practice. The slider is moving along the font’s “axis” there’s a different version of the letter at each end of the axis (Extra Fat at one end, say, and Really Thin at the other), and as you drag the slider along the axis you can create any variation in between those two extremes. As you drag the slider, the letterform you’re looking at morphs: from fat to thin, for instance, or from condensed to expanded, depending on how it was designed to change. Multiple master technology, which in the early ’90s was the Next Big Thing, is notoriously hard to explain in words and static images, but wonderfully easy to demonstrate by dragging a slider back and forth onscreen. Now ITC Avant Garde is the first ITC typeface to be issued as a multiple master Type 1 typeface.” (See Figure 1.)įigure 1: Multiple master technology could create almost infinite variations of a typeface. Because of its large x-height, extensive set of alternative and ligatured characters and strong design personality, the face also broke new stylistic ground for typeface creation. It began as Herb Lubalin’s logo for the always innovative, and often controversial magazine, “ Avant Garde.” It then became the first typeface released by ITC when the company was founded in 1970. The text of the 1993 “U&lc” ad is of course marketing copy, but it accurately places the typeface in its context: “Throughout its 25-year life, ITC Avant Garde has lived up to its name by continually breaking new ground. ITC Avant Garde already had a long history in graphic design, from its origins in the creatively explosive days of the late 1960s. Both fashion and technology change quickly it would be hard to say, in the digital world, which one is more transient. Looking back on it a decade later prompts all kinds of reflections about the interplay of typographic fashion and font technology. That date is almost exactly 10 years ago. It was a two-page spread announcing that, on May 17, 1993, ITC Avant Garde would be available in Adobe’s new multiple master font format. Īs I was rummaging through back issues of “ Upper & lowercase,” researching images and ideas for a forthcoming book on “U&lc” (coming next year from Mark Batty, Publisher, I came across an ad in the 20th-anniversary issue (Vol. You can find more from John at his website. If you’d like to read more from this series, click here.Įventually, John gathered a selection of these articles into two books, dot-font: Talking About Design and dot-font: Talking About Fonts, which are available free to download here. Barry (the former editor and publisher of the typographic journal U&lc) for CreativePro. Dot-font was a collection of short articles written by editor and typographer John D. |
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